Angela Vanhaelen is associate professor in the Department of Art History and Communication Studies at McGill University. She is the author of The Wake of Iconoclasm: Painting the Church in the Dutch Republic (Penn State University Press, 2012), which was awarded the 2013 Roland H. Bainton Book Prizeby Sixteenth Century Society and Conference. She is also author of Comic Print and Theatre in Early Modern Amsterdam: Gender, Childhood and the City (Ashgate, 2003). She has recently coedited (with Joseph Ward) the volume Making Space Public in Early Modern Europe. Performance, Geography, Privacy (Routledge, 2012). She is coeditor (with Bronwen Wilson) of a special issue of the journal Art History, “The Erotics of Looking: Materiality, Solicitation and Netherlandish Visual Culture” (Nov. 2012) and has published articles in journals such as Art Bulletin, Oxford Art Journal, De Zeventiende Eeuw, Art History and RES: Journal of Anthropology and Aesthetics.